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Articles Tagged as Mind of the Artist

Company Spotlight: Winifred Haun & Dancers

February 24, 2015

The first in a series on Dance/USA’s From the Green Room focusing on member dance companies and their model programs. This month we look at Chicago’s Winifred Haun & Dancers, a small company that has evolved to make long-term, larger projects reflecting the choreographer’s artistic curiosity.

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No CommentsTags: Artistry · Company Spotlight · From The Studio · Mind of the Artist

Ten Steps To Enhancing Dance Writing in Your Community

January 13, 2015

Want to jump-start dance writing opportunities in your city or region? Check out these 10 tips from founder of thINKing Dance in Philadelphia.

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No CommentsTags: Criticism · Mind of the Artist

Upping the Ante on Writing About Dance

January 13, 2015

Good dance writing informs potential audiences about interesting dance in their midst, helps acquaint presenters and funders with artists’ output to frame artists’ work within a wider cultural, artistic and socio-political context. With shrinking space for dance coverage at traditional media outlets, new forms are taking hold. Learn how a collaborative community-based effort to publish high-quality dance writing is taking hold in one city. Lisa Kraus, founder of thINKing Dance, reports.

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No CommentsTags: Criticism · Engagement · Mind of the Artist

Simple Gifts: The Spirit of Sharing

November 06, 2014

Thanksgiving is almost upon us, and you know what that means. It means that we are in the homestretch of the Dance/USA Institute for Leadership Training (DILT) mentorship program. In the spirit of the season, I wanted to share with you the gifts for which I am most thankful.

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No CommentsTags: Arts Administration · Mind of the Artist

Everybody Knows This Is Now Here:

September 23, 2014

The Mountain Empire Performance Collective explores ways of making work beyond geographic limitations. Utilizing both traditional and contemporary methods of communication, including video chats, telephone calls, letter writing, emails, and traditional methods of working together face to face, they make works that test the limits of communication and technology. Read Eliza Larson and Rachel Rugh in a collaborative piece that replicates in written form how they choreographically merge ideas and movements across the country. Technology, initially a means to an end, has become an integral part of the choreography, both in process and in performance. Read how they do it here.

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Tags: Artistry · From The Studio · Mind of the Artist

Performing Tradition, part 2

September 10, 2014

The past decade has seen the emergence of interesting hybrids between old and new technologies and aesthetics. An example is the evolving phenomenon of house concerts -- small, acoustic music and dance performances held in private homes. The ambiance is informal. Usually the audience is limited; anywhere from 10-20 people, who contribute a comparatively small fee for the privilege of hearing music up-close and personal. These events are rekindling what music must have been like when it was enjoyed socially in people’s homes, and yet they thrive in the era of social media, and are marketed via Facebook, and captured and shared using Instagram, Vine and other media outlets.

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No CommentsTags: Artistry · From The Studio · Mind of the Artist

Performing Tradition, part 1

September 09, 2014

If there is a single question that bedevils nearly all the dance communities I have encountered, it is the quest for authenticity. So many of the dancers and musicians I have worked with talk about “balancing tradition with innovation” that it feels a bit trite. Countless bios I have read include some variation on that phrase. And the thing that strikes me as weird about it is that there is an implicit assumption there that tradition and innovation are somehow at odds. Read more about building a traditional dance career in the 21st century.

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No CommentsTags: Artistry · From The Studio · Mind of the Artist

Toward a New Definition of Arts Administrator

April 16, 2014

You might have heard the saying: “Those who can, do; those who can’t, teach.” In fact, if you’ve worked in the arts, not only have you most likely heard this, but you might also consider what I feel is the implied third part of this phrase, “Those who can’t do either, administrate.” This article is ultimately about arts administrators; read on for more.

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No CommentsTags: Arts Administration · Commentary · Mind of the Artist

Ballet’s Biggest Annual Party: Freelancing ‘The Nutcracker’

December 19, 2013

The period between Black Friday and Boxing Day is commonly the most financially rewarding for big and small businesses alike. Ballet is no exception. During this period, ballet companies across the country throw their biggest annual holiday party, which helps keep many a ballet company afloat, providing essential operating funds. Just as big and small businesses benefit from holiday spending, freelance dancers like Barry Kerollis benefit from The Nutcracker. Read on to see how this Philadelphia-based dancer navigates the ups and downs of Nutcracker madness.

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No CommentsTags: Artistry · From The Studio · Mind of the Artist

What I Learned From Ballet

December 10, 2013

I am passionately in love with being onstage. It’s terrible. The can’t-eat-can’t-sleep-euphoric kind of love. When you find that love early in life it’s hard for much of anything else to stand up in comparison. And when it does, you fall in deep because that’s the only way you know how.

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No CommentsTags: Artistry · From The Studio · Mind of the Artist


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