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Working Internationally: More Than Just Touring With a Passport

July 24, 2014

Working abroad holds an enormous catalogue of benefits for American artists and our nation: increased visibility; expanded marketplaces; enrichment of the art form through global exposure; decreased insularity; plus the more elusive contribution that dance enhances public diplomacy between our country and the world. While many dance organizations are eager to work abroad, lack of knowledge and resources can make it difficult to happen. Read on for more on bridging the passport divide.

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No CommentsTags: Arts Administration · Internationalism

Writer, Educator, and Speaker Liz Lerman Receives Dance/USA Honor

June 04, 2014

Liz Lerman is a performer, choreographer, writer, educator, and speaker. She has been described as “the source of an epochal revolution in the scope and purposes of dance art” by The Washington Post. Her aesthetic approach spans the range from abstract to personal to political. This month Lerman receives the 2014 Dance/USA Honor Award during the organization’s annual conference in Minneapolis.

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No CommentsTags: 2014 Annual Conference · Advocacy · Artistry · Arts Administration

Colleen Callahan-Russell Bringing Dance to Diverse Schools and Communities

May 27, 2014

In 1984, Colleen Callahan-Russell was teaching dance at North High School one of the Twin Cities’ most racially diverse schools. She’d attended several basketball games and loved the players’ moves. So she asked the team, state champs in basketball that year, if she could choreograph a game for them. The players were game, especially when she began rehearsals by working with the Harlem Globetrotters’ theme song. By the time the piece reached the stage of the Walker Art Center as part of a Choreographers’ Evening, Colleen had switched the music to Vivaldi. Her dancer/athletes were unfazed and got a standing ovation. Read more about Callahan-Russell, Dance/USA 2014 Inspiration Award recipient.

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No CommentsTags: 2014 Annual Conference · Education

David Brown: Danseur Noble, Administrator Extraordinaire

May 27, 2014

D. David Brown has had an illustrious career, first on stage and as a second act he spent two decades at Boston Ballet as production manager, general manager, and executive, before moving over to Pacific Northwest Ballet. At Dance/USA's 2014 annual conference, Brown will receive Dance/USA’s Ernie Award (named for Ian “Ernie” Horvath). The award is given to an individual working “behind the scenes” in the dance field to empower artists.

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No CommentsTags: 2014 Annual Conference · Arts Administration

Saving Our Collective Memory

April 29, 2014

Are we ignoring or squandering our 20th century modern dance legacy? As if the public agony of the Martha Graham Dance Company weren’t enough, the tragedy of the Cunningham company’s disappearance should be a wake-up call to all American dance companies and arts funders. Dance critic Robert Johnson examines this issue.

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No CommentsTags: Commentary · Criticism · Dance News

Toward a New Definition of Arts Administrator

April 16, 2014

You might have heard the saying: “Those who can, do; those who can’t, teach.” In fact, if you’ve worked in the arts, not only have you most likely heard this, but you might also consider what I feel is the implied third part of this phrase, “Those who can’t do either, administrate.” This article is ultimately about arts administrators; read on for more.

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No CommentsTags: Arts Administration · Commentary · Mind of the Artist

Advocacy: Anywhere and Anytime

April 09, 2014

I’d never experienced face-to-face advocacy firsthand to gain true insight into its meaning — and outcomes. In imagining what my first governmental advocacy meetings might be like, I wondered: How could I be the most effective voice in representing a diverse field of artists? Do I need to be an expert on the issues? Ultimately, what sort of impact can I make? Read on for more from Michelle Lynch Reynolds.

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No CommentsTags: Advocacy · Commentary

Sequestered

March 25, 2014

As a judge in any competition, you are expected to be “objective.” But there is no such thing as pure objectivity, since we all come with our own set of past experiences. I am aware of my personal biases and try to move beyond them, but part of the value of my — or anyone’s — feedback is in the passionate personal response. If we know a person from our past, we see more in their performance than if we never laid eyes on them. This is why the American College Dance Festival Association requires that its adjudicators be kept away from the participants — “sequestered.” Read about dancer/critic Wendy Perron's experience.

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No CommentsTags: Artistry · Commentary · Criticism

Moving On: A Close Up Look at the Closing of the Trey McIntyre Project

March 10, 2014

The announcement in January by the Trey McIntyre Project that its performances June 25-29, 2014, at Jacob’s Pillow Dance Festival would be the company’s last sent both shockwaves and shrugs through the dance community. The shockwaves were because despite the company only being a full-time entity since 2008 (it had begun in 2005 as a summer pickup company); it seemed to be a model of success in a dance world that is constantly searching for new blood.

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No CommentsTags: Artistry · Arts Administration · Dance News

Dance and Parenthood: A Case Study

March 02, 2014

Despite the daunting landscape for independent and freelance dance professionals, we’re seeing encouraging trends in how some dance companies regard the family lives of their employees.

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No CommentsTags: Arts Administration · Features · From The Studio


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